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"Mona! Are you crying for me?" says Paul Rodney, as though surprised. "Do not. Your tears hurt me more than this wound that has done me to death." "Well, perhaps I was," says Geoffrey, easily: "we are all mad on one subject or another, you know; mine may be Mona. She is an excuse for madness, certainly. At all events, I know I am happy, which quite carries out your theory, because, as Dryden says,— "You see, I was so filled with the novelty of the idea that it is the correct thing to weep when seated on your highest pinnacle of bliss, that I forgot to put my fingers in my ears again for a few moments, so I heard him say, 'Are you sure you love me?' whereupon she said, 'Are you quite sure you love me?' with lots of emphasis. That finished me! Did you ever hear such stuff in your life?" demands Mr. Darling, feeling justly incensed. "When they have been gazing into each other's eyes and boring us all to death with their sentimentality for the last three months, they coolly turn round and ask each other if they are sure they are in love!".

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"But you have nothing to sit on." "If I was quite sure I shouldn't be dreadfully in the way," says Geoffrey, turning to Mona, she being mistress of the ceremonies. Mona turns deadly pale, and then instinctively loosening the strings of her hat flings it from her. A touch of determination settles upon her lips, so prone to laughter at other times. Sitting on the bank, she draws off her shoes and stockings, and with the help of an alder that droops to the river's brim lowers herself into the water. "The lake here? No," says the duchess..